Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

Mediterranee (1963, Jean-Daniel Pollet) If the endless circuit of repetitive simulations and duplications continues then we should at least attempt to find some ecstasy, some liberty and some echoes of what we have lost within it. Jean-Daniel Pollet’s essay film is an edifice (strong yet weak, monumental but crumbling, still just together but ready to … Continue reading Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

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Apart from You (1933, Mikio Naruse) /Every-Night Dreams (1933, Mikio Naruse)

Two more silent Mikio Naruse films, both from 1933. Every-Night Dreams is currently the more acclaimed of this pair, perhaps because it’s story and feel is closer to some of the social realist Hollywood films  or melodramas of roughly the same period (albeit while remaining distinctly Japanese). It is a film which attempts to present … Continue reading Apart from You (1933, Mikio Naruse) /Every-Night Dreams (1933, Mikio Naruse)

Ju-On: The Grudge (Takashi Shimizu, 2002)

This is the J-Horror at its most methodical, although it’s not necessarily always grimly methodical. Shimizu is careful and intelligent, constructing a non-linear narrative that at first seems sloppy but reveals itself as quite tight and able to branch out into further unsettling territory with a number of unexplained, inexplicable visions of the future on … Continue reading Ju-On: The Grudge (Takashi Shimizu, 2002)