Notorious (1946, Alfred Hitchcock)

In catching up with lesser or minor Hitchcock it becomes easy to forget how fully and perfectly integrated and complete a film he could turn out, if allowed the (half-) chance. In Notorious, famously named by Francois Truffaut as the film in which Alf got the closest to delivering his original intentions exactly, a sigh … Continue reading Notorious (1946, Alfred Hitchcock)

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Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

Mediterranee (1963, Jean-Daniel Pollet) If the endless circuit of repetitive simulations and duplications continues then we should at least attempt to find some ecstasy, some liberty and some echoes of what we have lost within it. Jean-Daniel Pollet’s essay film is an edifice (strong yet weak, monumental but crumbling, still just together but ready to … Continue reading Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

The Postman Always Rings Twice (1946, Tay Garnett)

The Postman Always Rings Twice has been kicked so severely out of consideration as a top-drawer noir (in favour of more obviously auteurist works, or those with the stamp of approval from twenty-first century mannerists) that it is now probably somewhat underrated. Never mind all that because it’s a film rich with pleasures; from the … Continue reading The Postman Always Rings Twice (1946, Tay Garnett)