Le Plaisir (1952, Max Ophuls)

“But, my friend, happiness is not a joyful thing.” Was Max Ophuls the greatest, the most perfect of the classical film-makers? In a series of masterpieces throughout three decades (the 1930s, 40s and 50s) he composed images with the soft luminescence, hazy or precise, of Degas (with a similar feeling of constant movement), and stories … Continue reading Le Plaisir (1952, Max Ophuls)