Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

Mediterranee (1963, Jean-Daniel Pollet) If the endless circuit of repetitive simulations and duplications continues then we should at least attempt to find some ecstasy, some liberty and some echoes of what we have lost within it. Jean-Daniel Pollet’s essay film is an edifice (strong yet weak, monumental but crumbling, still just together but ready to … Continue reading Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

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Women of the Night (1948, Kenji Mizoguchi)

Here Mizoguchi treads the trails left by the neo-realists and if the result is not a masterpiece (it lacks the sureness and completeness of so many of his best films) it’s still a remarkable and scrappy work of art, a sort of howl of rage and despair so brutal and overpowering that its expresser later … Continue reading Women of the Night (1948, Kenji Mizoguchi)