Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

Mediterranee (1963, Jean-Daniel Pollet) If the endless circuit of repetitive simulations and duplications continues then we should at least attempt to find some ecstasy, some liberty and some echoes of what we have lost within it. Jean-Daniel Pollet’s essay film is an edifice (strong yet weak, monumental but crumbling, still just together but ready to … Continue reading Round-Up: Pollet, Guitry, Robson/Lewton, Mizoguchi

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Brief, hurried thoughts on Le Deuxieme Souffle (1966, Jean-Pierre Melville) and Mark Rothko’s Untitled (Black on Gray) (1970)

“What was it like?” It’s a question often asked to a filmgoer once they have returned home, leaving behind their cinematic companions and rejoining those friends or family who wished to remain in the sunlight, not submitting themselves to the darkness of the auditorium and its resulting hints of eyestrain. Sometimes the filmgoer wishes they … Continue reading Brief, hurried thoughts on Le Deuxieme Souffle (1966, Jean-Pierre Melville) and Mark Rothko’s Untitled (Black on Gray) (1970)

Near to Here: Le Proces De Jeanne D’Arc (1962, Robert Bresson)

“There are a million places to put the camera, but there is really only one.”- Ernst Lubitsch Robert Bresson’s Le Proces De Jeanne D’Arc is a film about two things; the distance between and overlapping of separate worlds, and the reconstruction of a young woman freed from myth. What’s remarkable is the clarity of these … Continue reading Near to Here: Le Proces De Jeanne D’Arc (1962, Robert Bresson)