If this is not where Bresson becomes the Bresson we recognise, stereotype and speak of the power of in hushed whispers, this is nonetheless where Bresson becomes a master. He is a melodramatist still at this point, supported by the timeless, literary dialogue of Jean Cocteau, but he is a melodramatist of pure grace and … Continue reading Les Dames Du Bois De Boulogne (1945, Robert Bresson)