Born To Be Bad (1950, Nicholas Ray)

For Nicholas Ray love (or ‘love’) is corrosive. It is unstable and moves with the waves and currents of societal corruption and sickness. Born to Be Bad, despite what Dave Kehr persuasively argued, is not a major work, not a masterpiece and not a particularly important signal in Ray’s career. It sits comfortably somewhere in … Continue reading Born To Be Bad (1950, Nicholas Ray)


Bitter Victory: Alternative View

Bitter Victory has none of the self-conscious epicness in its filming of the desert that afflicts so many other works set in the same or similar terrain. The film is shot in cinemascope so there is still a sense of grandness, but this bare expanse becomes a nothingness, a void, a blank of sorts against … Continue reading Bitter Victory: Alternative View