Trafic (Jacques Tati, 1971)

For all the acclaim he has received, both popular and critical, how can it be that Jacques Tati still features so rarely on lists of, say, the ten greatest film directors? Is the reason as simple as the comedian’s curse, that condition that means that, no matter the greatness of the work itself, it will … Continue reading Trafic (Jacques Tati, 1971)