Number 17 (Alfred Hitchcock, 1932)

The opening of Number 17, the last film Hitchcock made for the Associated British Picture Corporation, features “a delirium of continuity” (to quote Jonathan Rosenbaum) and  a montage of chilled imagery, fluid camera movement and unsettling effects that recalls comparable sequences in the films of Murnau. In these minutes we feel not so far from … Continue reading Number 17 (Alfred Hitchcock, 1932)

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